I’ve been sewing since I was 5 years old, and have been making most of my own clothes since my pre-teen days. I remember making iconic items like tie-back flutter-sleeved tunic tops and satin newsboy caps for my school friends by the time I was in fifth grade. (Don’t judge me— it was the ’70s.)
But regardless of all my sewing experience, I’ve found that there is always something more to learn. And my recent venture into the previously unknown-to-me sewing territory of bra-making is proving to be no exception.
Here are 3 things I’ve learned from sewing bras.Read More »
If you’ve been following my first Little White Bra project, you’re probably waiting in breathless anticipation for the dyed version I promised you— and now it’s here! I’ll show you my process for ombré-dyeing this bra, and I’ll even clue you in to how I dealt with that pesky non-dyeing white sewing thread!
But first, here’s the Before version, a.k.a. The Little White Bra:
My last post was an introduction of sorts to my current project: The Little White Bra, a.k.a. The Bra Before Dyeing (or just “Before”). Now, since this was the first time I’ve used this bra pattern, I’ll show you how I made it, including a few changes I made.
My pattern is Kwik-Sew 3300— I’m being adventurous and trying my first partial-band bra! For those of you who might not know the difference (and I’m not sure I noticed it myself before I started making bras), partial-band just means that, rather than a continuous band running all the way around the bra, including under the cups, the band comes around from the back to attach to the sides of the cups only, with a small bridge piece connecting the cups in the middle, like so:
So there I was, debating over new bra patterns/fabrics/colors to try, and I had this idea…
What if I made an all-white bra that was meant to be dyed? That is, rather than dyeing the materials first, then cutting and sewing, maybe I could make the bra, then dye it. Ultimately, I want to be applying my original color palettes (and their corresponding dye recipes) to my lingerie pieces, just as I’m already doing with my yarns, so this seems like a good plan.
Advantages to this approach:
It’s fairly easy to find all necessary bra-making materials in white.
I wouldn’t waste dye on materials that would end up in the scrap heap after cutting my bra pieces out.
I could take my time deciding what color I wanted my bra to be.
Or heck, I could just decide to leave it white! I was severely tempted by this thought when I was finished making this bra. And I’m pretty sure Vogue advises every woman to own at least one Little White Bra, right?
I have to think and plan very carefully about the materials I use; everything from the lace and elastic trims to the strap rings and sliders needs to be compatible with the type of dye I want to use. And speaking of which…
As a wise person on the Facebook Bra Making Forum* pointed out, don’t forget about the thread! If I’m going to use the usual polyester sewing thread, it won’t be dyeable with either the acid or RIT types of dyes. Meaning my bra will be dyed, but the thread will stay white. Probably not the look I’m going for.
It can be a little tricky maneuvering the bra around while dyeing, especially with the underwired parts being stiff and generally getting in the way. (This was mainly a problem for me because I decided to ombré-dye my bra, so it had to be dipped repeatedly into various dye baths; it shouldn’t be an issue if you’re dunking the whole bra into the dye at once. Just make sure the container you’re dyeing in is large enough.)
Unless you’re extremely lucky, it’s unlikely that all materials will dye evenly to the exact same shade, even if they’re all the same fiber. I happen to like that, but you may not.
Tip: Crash course in dye types and what they’re used for: Acid dyes (the kind I use most frequently for my yarns) work on animal fibers like wool, mohair, and silk, and also on nylon (very important to lingerie makers). Fiber-reactive dyes are used for plant fibers, such as cotton, linen, and rayon. RIT dyes are what’s known as the union-type dye, meaning they’re a combination of acid and fiber-reactive dyes, so they can be used on any natural fiber, including combinations of animal and plant fibers. I use RIT dyes most frequently for panties, since I usually make them with cotton crotch linings.
Next up: I’ll show you the making of this Little White Bra, including some minor pattern changes I made along the way. And it’ll have a link to kits to make your very own LWB!
And coming soon after that: I’ll take you through my process for ombré-dyeing this bra, including how I got around the non-dyeing-white-thread thing, plus posts on making (and dyeing) a Little White Panty!
*This is a closed group on Facebook, so if you’d like to join it (and it’s fabulous), please contact me (Lindy Thibodaux on FB) with your FB name, and I’ll send you an invitation to the group.
Resources for this post:
The bra pattern I used is Kwik-Sew 3300; right now, this page says it’s “temporarily out of stock”. Let’s hope they bring it back soon!
(Illustration/design courtesy of Orange Lingerie. Click on the image to go straight to this pattern listing in the Orange Lingerie Etsy shop!)
In case this illustration isn’t enough inspiration, in the Etsy listing for this new pattern, you’ll also find a photo of a beautiful bra made from this pattern, in a lovely floral print; this photo makes it clear that this is a balconette style. And the description says (in part) that the Boylston Bra can be lined with cut-and-sew foam, among several possibilities. It really does sound versatile!
As you know, I’ve already made my first and second bras with Orange Lingerie’s Marlborough Bra pattern, so I can say with confidence that the pattern and instructions are professionally designed and executed— not to mention that the style and cut are just beautiful, and I already know the sizing works for me (I’m usually a 36DD, but according to this pattern’s sizing, I used the 40DD pattern, which is virtually perfect). And I love the new balconette style of the Boylston, so I’ll be showing you what I make with this pattern very soon!
As you know, I made my first and second bras using the same pattern, the Marlborough Bra. Considering my lack of experience, I think they both turned out surprisingly well. But here’s a funny thing. Even though I used the same pattern, and the same type of fabrics (silk for the main parts, powernet for the back bands, as specified by the pattern), they somehow turned out different in size— different enough that, although I’ve worn the second bra several times, I can’t wear the first one at all. It’s just too tight around the band.
Bra! I meant my fourth bra! For my third, I know I said that was something completely different, and it was, especially compared to my first and second, which were both made from the same pattern. But for this one, I went even further afield. I didn’t just try a new pattern, I made a foam-lined bra!
Now that I’ve got my cups sewn into my third bra project, it’s time for one of the main things I’m doing differently than the pattern (Kwik-Sew 3594): adding underwires. That is, at this phase, I’ll be adding channeling to house the underwires, which will get inserted a little later. Here’s what I’ve got so far:
After making both my first bra and the second with the same pattern (the Marlborough Bra from Orange Lingerie), and making them both mostly out of silk, I’ve started to feel the urge to try something different. Completely different.
Here’s what I have in mind:
1. Instead of making the bra first, then trying to find stretch panty materials to coordinate, I’m going to pick my panty fabric first, then use that for the bra as well. This will mean using (gasp!) a stretch fabric for the bra, rather than woven.
Now that my second bra is finished, along with its coordinating high-waisted panty, I thought this would be a good time to collect my thoughts about this whole lingerie-making experience, and share a few things that have occurred to me along the way.