The first of my sewing-related blogs was Changing Your Clothes, covering anything having to do with making the most of clothes you already have: alterations, dyeing, repairs, wardrobe planning (via color palettes, natch), refashioning. Next in line: the blog you’re looking at right now, My Bratelier, which is focused only on sewing lingerie, including bras. So when I wanted to write posts for sew-along projects started in one of my workshops, I didn’t have an existing blog that was the right fit. What’s a blogger to do?
Silly question. Start a new blog, of course! Help me welcome SewColormusing into the Colormusing family!
Want to know more about Colormusing? Don’t miss all my color-palette-related excitement at the A Musing blog!(Click on the dots above to visit my mother ship, Colormusing.com.)
Okay, okay, I know I said the Little White projects were all done. And technically, they are: this project is the Little Black & White Bra!
And it’s also my first front-closing bra; I’ve been wanting to do this for a while now, mostly because I wanted to try making a bra with something beautiful on the back, a very popular lingerie look right now. So even though I’m starting with Elan’s B510 pattern, it won’t look much like that by the time I’m done! Or at least not in the back. Fair warning.
I’ve been sewing since I was 5 years old, and have been making most of my own clothes since my pre-teen days. I remember making iconic items like tie-back flutter-sleeved tunic tops and satin newsboy caps for my school friends by the time I was in fifth grade. (Don’t judge me— it was the ’70s.)
But regardless of all my sewing experience, I’ve found that there is always something more to learn. And my recent venture into the previously unknown-to-me sewing territory of bra-making is proving to be no exception.
Here are 3 things I’ve learned from sewing bras.Read More »
My last post was an introduction of sorts to my current project: The Little White Bra, a.k.a. The Bra Before Dyeing (or just “Before”). Now, since this was the first time I’ve used this bra pattern, I’ll show you how I made it, including a few changes I made.
My pattern is Kwik-Sew 3300— I’m being adventurous and trying my first partial-band bra! For those of you who might not know the difference (and I’m not sure I noticed it myself before I started making bras), partial-band just means that, rather than a continuous band running all the way around the bra, including under the cups, the band comes around from the back to attach to the sides of the cups only, with a small bridge piece connecting the cups in the middle, like so:
I should trust my instincts. Even while I was making my lace-trimmed thong, I was thinking that I’d cut my lace band too big. But being so new to lingerie-making, how could I have known? And how can I fix this? What’s a girl to do when her thong goes wrong?
Now that my second bra is finished, along with its coordinating high-waisted panty, I thought this would be a good time to collect my thoughts about this whole lingerie-making experience, and share a few things that have occurred to me along the way.
I’m now in the planning phase for my second bra! And since I started this blog only after the first one was completed, this time I can show you my process, from beginning to end. I’m starting today with choosing my pattern.
For me, this part is easy. I’m going to use the same pattern as for my first bra: The Marlborough Bra pattern from Orange Lingerie. I’m choosing this because, although my first one really fits amazingly well, there’s a bit of fine-tuning I’d like to make to the pattern this time around.
Tip: According to bra-fitting experts, if you’re smaller-busted, styles with rounder cups will help enhance your shape. Larger girls tend to benefit from the structure provided by cups with 2 to 3 pieces, rather than seamless cups. I generally wear a DD/E cup, so I’ve started with the Marlborough’s 3-part cup.
In this photo, you can see the some of the original pattern pieces (on regular printer paper), and a piece I traced from the original onto tissue paper. The red line is the cutting line, and the dashed green line is the seamline.