I know, I know, I said the Little White Project was over. But here’s the thing: Even after all the lengthy tutorials, the sewing, the dyeing, and the finishing, there are still some notes about making the Little White Bras/Panties/Thongs that didn’t make it into the previous posts. I feel, therefore, duty-bound to offer these tidbits here.
The Sewing Part: Little White Bras
The main difference between the first one and the second is the materials used for the cups. The first has lace on the upper/center cup pieces; for the second (the colorblocked one), I used the same Swiss dot/cup lining combination for all the cup parts. This meant that I’d have to finish the top (neckline) edge of the cups, though, so I used foldover elastic for this. (Click here for my post that includes a tutorial on applying FOE.)
The other major difference is in the bridge. For the first LWB, I unintentionally shortened the bridge by sewing a seam at the top of it; this created a gap between the top of the bridge and the top of the underwires— in other words, the wires extended up the center on either side of the bridge, past the top of the bridge. (Click here to see what I did about that little issue.)
I also decided to put the elastic trim at the bottom of the bridge; because I’d measured and cut my trim before dyeing it, I double-checked the length to make sure I would still have enough for the rest of the bra. (Notes to self: Good thing I always cut a little extra. This looks great! Must do again!) When I look at the bra as a whole, this really helps to make all the colors and trim work cohesively.
Yes, it’s that time. It’s the last part of my Little White Project, in which I’ll show you yet another approach to dyeing a bra and panty (okay, thong), using the same bra pattern (Kwik-Sew 3300), (mostly) same materials as the original Little White Bra, and the same 3 dye colors. But this time, I’m going to do something completely different with the dyes!
Before I get to that, here’s a quick recap of the various dyeing processes already done in this series:
So there I was, debating over new bra patterns/fabrics/colors to try, and I had this idea…
What if I made an all-white bra that was meant to be dyed? That is, rather than dyeing the materials first, then cutting and sewing, maybe I could make the bra, then dye it. Ultimately, I want to be applying my original color palettes (and their corresponding dye recipes) to my lingerie pieces, just as I’m already doing with my yarns, so this seems like a good plan.
Advantages to this approach:
It’s fairly easy to find all necessary bra-making materials in white.
I wouldn’t waste dye on materials that would end up in the scrap heap after cutting my bra pieces out.
I could take my time deciding what color I wanted my bra to be.
Or heck, I could just decide to leave it white! I was severely tempted by this thought when I was finished making this bra. And I’m pretty sure Vogue advises every woman to own at least one Little White Bra, right?
I have to think and plan very carefully about the materials I use; everything from the lace and elastic trims to the strap rings and sliders needs to be compatible with the type of dye I want to use. And speaking of which…
As a wise person on the Facebook Bra Making Forum* pointed out, don’t forget about the thread! If I’m going to use the usual polyester sewing thread, it won’t be dyeable with either the acid or RIT types of dyes. Meaning my bra will be dyed, but the thread will stay white. Probably not the look I’m going for.
It can be a little tricky maneuvering the bra around while dyeing, especially with the underwired parts being stiff and generally getting in the way. (This was mainly a problem for me because I decided to ombré-dye my bra, so it had to be dipped repeatedly into various dye baths; it shouldn’t be an issue if you’re dunking the whole bra into the dye at once. Just make sure the container you’re dyeing in is large enough.)
Unless you’re extremely lucky, it’s unlikely that all materials will dye evenly to the exact same shade, even if they’re all the same fiber. I happen to like that, but you may not.
Tip: Crash course in dye types and what they’re used for: Acid dyes (the kind I use most frequently for my yarns) work on animal fibers like wool, mohair, and silk, and also on nylon (very important to lingerie makers). Fiber-reactive dyes are used for plant fibers, such as cotton, linen, and rayon. RIT dyes are what’s known as the union-type dye, meaning they’re a combination of acid and fiber-reactive dyes, so they can be used on any natural fiber, including combinations of animal and plant fibers. I use RIT dyes most frequently for panties, since I usually make them with cotton crotch linings.
Next up: I’ll show you the making of this Little White Bra, including some minor pattern changes I made along the way. And it’ll have a link to kits to make your very own LWB!
And coming soon after that: I’ll take you through my process for ombré-dyeing this bra, including how I got around the non-dyeing-white-thread thing, plus posts on making (and dyeing) a Little White Panty!
*This is a closed group on Facebook, so if you’d like to join it (and it’s fabulous), please contact me (Lindy Thibodaux on FB) with your FB name, and I’ll send you an invitation to the group.
Resources for this post:
The bra pattern I used is Kwik-Sew 3300; right now, this page says it’s “temporarily out of stock”. Let’s hope they bring it back soon!
Helpful tips on dyeing rings and sliders, from Natasha of ArteCrafts, one of my favorite suppliers!
I wrote about nylon vs polyester sliders a few months ago and how polyester slides are impossible to dye. For this reason I have switched to stocking nylon sliders so my customers can dye to match their other notions. Plastic findings can be the most difficult to dye and sometimes you might give up on them too soon. Here’s a few tips on how I dyed the slides in this picture. I used RIT Lemon dye and they came out fairly true to shade. But they took longer to take up the dye and a little bit of special handling.
I’ve done a lot of testing with dying these sliders with acid and RIT dyes. The secret to getting the color that you want is acidity and time. I recommend dying all your notions as usual but once you’ve taken out your fabric, elastics, channeling and hook and eyes out…
After making both my first bra and the second with the same pattern (the Marlborough Bra from Orange Lingerie), and making them both mostly out of silk, I’ve started to feel the urge to try something different. Completely different.
Here’s what I have in mind:
1. Instead of making the bra first, then trying to find stretch panty materials to coordinate, I’m going to pick my panty fabric first, then use that for the bra as well. This will mean using (gasp!) a stretch fabric for the bra, rather than woven.
Now that my second bra is finished, along with its coordinating high-waisted panty, I thought this would be a good time to collect my thoughts about this whole lingerie-making experience, and share a few things that have occurred to me along the way.
Yesterday, I dyed some bra notions (plus possible panty fabrics) in various shades of blue and green, to coordinate with the printed silk I’d chosen for my second bra project. Personally, I think that using this related-but-not-necessarily-matching approach really helps all the colors blend with the sort of watercolor-y abstractness of the print:
If I’d chosen just one solid color for the coordinating bits, I would have had to work harder at making that color “match” one color in the print.
Now I just need to add the remaining bits and pieces that go into making a bra: channeling (this is what houses the underwires), strap material, elastic trim (for both bra and panty), powernet fabric (for the back band), and the back closure for the bra.
And here is where I come crashing right up against the dreaded, frustrating, tear-my-hair-out question:Read More »